The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
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exhibition showing the movement ofwel materials across geographic regions includes a string of blue beads (500s) excavated in Japan that comprises glass from both Iran and elsewhere in Asia.
Chinese high jewellery artist Anna Hu first took inspiration from the trade route for her five-piece Silk Road Music Collection, auctioned by Sotheby’s in 2019. A proportion ofwel the proceeds was donated to Silkroad, a not-for-profit music organisation founded by cellist Yo-Yo Ma that was similarly inspired by the cultural collaboration in early trade.
Treasures found inside the Sutton Hoo Anglo-Saxon ship burial — on its more info discovery in Suffolk, eastern England, in 1939 — included some of the best-surviving examples of garnet cloissoné metalwork. Now, scientific analysis has revealed the origin ofwel these stones.
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Hu considers music and colour “like a duet”. “When I look at a colour, I think ofwel a certain tonality,” she says. “A C major is a golden light of yellow or white, and then D flat major kan zijn this really pastel lavender.”
Our collection of gemstone jewellery is enriched with class, style, and elegance. Each piece is expertly crafted to ensure the recipient feels special whilst wearing it. Our gemstones are fashioned to perfection, with each one effortlessly positioned to create our stunning statement pieces.
Today, Roberto Boghossian says the brand’s designs are inspired by “the femininity, the warmth [and] the colours of the east. And wij blend it with the newness and the technicality and the invention from the west”.
His ancestor, Ovaness Boghossian, set up a jewellery workshop in the Turkish city of Mardin in 1868, with the family expanding into buying and selling stones before eventually settling in Europe in the 1970s.
Hu, herself a trained cellist, has continued to draw on the music and dance of the Silk Road. Her Dance ofwel Dunhuang brooch, unveiled at TEFAF Maastricht in March, was inspired by the silhouette ofwel flying apsaras: figures depicted in cave murals in the Chinese city.
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While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.
Pieces from the recent Palace Voyages high jewellery collection, which draws on the architectural and decorative details of 14 palaces from China to the UK, are being shown at the PAD London art and vormgeving fair next week.